The inside of the white screenprinted bookcover is split in two parts. The first part of the publication features a diverse array of text constributions set in a variable grid, overprinted at crucial points by Pia Fries' work. The second part of the publication showcases exhibitions views at the Kunsthaus Baselland as well as past views, with a focus of the appearence of her artwork in various exhibition spaces.

Published by Verlag für moderne Kunst, offset and screen printing: DZA Druckerei zu Altenburg GmbH , Typefaces: Kanister Bold and Cellophan Black (Supersoft)

Visual identity for the experimental classical music festival Presenza; initiated by the cellist Sol Gabetta, Balthazar Soulier and the Orchestra della Svizzera italiana (OSI). The identity refers to the visual language of notation systems and transfers on to the typography.

Offset Printing: Plakatif AG (Zurich), Typefaces: Sculpt and Kanister (Supersoft)

The publication “Listening to Artists” is a handy interview reader. Each interview runs across the two horizontal halves of the book in different layouts, bilingual in parallel. The different dynamics of the conducted conversations create diverse page views, which are held together by the consistently centered artist bios.

Published by: Verlag für moderne Kunst (VfmK), Project Coordination: Inés Goldbach and Ines Tondar, Offset Printing and Binding: Gutenberg Beuys Feindruckerei, Typefaces: Kanister and Sculpt (Supersoft), Special thanks to Yves Graber!

The artist publication “Poem Police” accompanying the exhibition of the same name by Anne-Lise Coste, references various forms of publications, from the poetry album to an art catalog to a manifesto in order to present the exhibition images as well as the three texts.

Project Coordination: Inés Goldbach and Ines Tondar, Offset Printing and Binding: Engelberger Druck AG, Typefaces: Ernest and Cellophan (Supersoft)

Info booklet and poster series for Open Futures and Club La Fafa in partnership with Freiplatzaktion Zürich, raising awareness on the residential status of refugees and migrants in Switzerland. N, F, S, B, C are not just letters, but they determine the lives of refugees and migrants in Switzerland!

Project Coordination: Isabelle Vuong and Nadja Baldini, Offset printing and binding: Offsetdruckerei Karl Grammlich GmbH, Typeface: Cellophan (Supersoft)

The design for this installation at Kunsthaus Zürich focuses on an areal, detailed view of the space filling artwork by Walter De Maria and unifies multiple perspectives and viewpoints through an interplay of printing techniques as well as the overlapping of shapes and typography.

Project Coordination: Marie-Hélène Thornton, Curator: Mirjam Varadinis, Screen Printing: Brander Siebdruck, Offset Printing: Engelberger Druck, Digital Printing: Uldry, Typefaces: Cellophan 2000 (Supersoft) & Organigramm (Fabio Menet)

The new website and the visual identity for the architecture office is held together by the overlapping yellow stripes always containing the content. The website has a focus on a two-column page layout that, analog to a publication, is intended to invite visitors to view, read, and browse through the office's work.

Code: Felix Niklas, Offset Printing: Engelberger Druck AG, Typeface: WZW Grotesk (Supersoft)

This publication is a fictional architectural monograph that uses typography, photography, and 3D visualizations to establish the notion that visual communication still has a major role in the field of architecture and is instrumental to the fact that we can experience architecture without ever actually seeing it.

Oasi Malaparte was developed as a Bachelor Diploma project at the Zurich University of the Arts and was mentored by Jonas Voegeli, Matthias Michel and Larissa Kasper. Typefaces: Canetis Regular (Supersoft) & Organigramm (Fabio Menet)